David Wilcox

http://davidwilcox.com/
http://www.myspace.com/davidwilcoxsite

'Open Hand' is David's 16th release. Since he performs solo acoustic almost exclusively, he is able avoid the common 8 or 10 week tour, preferring instead to strike a balance between traveling for shows and being at home in Asheville NC with his family. It's more than just a good balance for his life, he compares the two worlds of touring and creativity at home as being akin to the in breath and the out breath - inspiration and expression.

David loves music for how it has tuned up his life. More than just entertainment, music has been a compass to navigate a life worth singing about. Some people describe the effect of what David does as if he were a mystic or a healer. So here are three different views from Gary Jules, Elizabeth Lesser, and Brian McLaren of what David does with this simple sound. First, Gary Jules describes the effect of David's musicianship.

David Wilcox is just this kind of singer and songwriter, and the songs on Open Hand exemplify perfectly what can happen when the whole becomes more than the sum of its parts. The first song I heard from this collection was Winter at the Shore. The opening chords move simply and inevitably toward their resolution, like seasons. At one point before the vocal starts, it sounds as if Dave's fingers might just stop playing. But they can't. The approaching resolution is . . . inevitable, as the passing of time. The images are pregnant. "The ghost of you/ dances through/ the memories of this town". Winter in a beach town means "off season". I think most days of a life are "off season", though we rarely take pictures on those days. Songs remind us to. Eleven words in it's already a sonic photograph of a magical world -- the passing away manifest in chords, fragility in the performance, the story on the way.